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The status quo is that of a promise unfulfilled. But the blink-and-miss-it swiftness of the moment-we’re going to give you something a tiny bit gay without even breaking stride-only underscores the shocking absence of LGBT representation in current Hollywood product.
#Mainstream gay movies series
Few would have expected Star Trek Beyond to build out an entire subplot about Sulu’s home life after all, over the decades, the series has barely said two words about who he is (quick, what’s his first name?). In 2016, a gay Sulu is about as on point, in a Star Trek way, as an Asian Sulu was in 1966-which is to say, newish but hardly groundbreaking.Īnd yet, for all the laudable motivation behind it, those few Star Trek moments feel more like a nod toward the symbolic importance of LGBT inclusion in mainstream entertainment than the manifestation of an actual desire for it.
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But to me, it was right in line with the whole history of Star Trek’s gestural progressivism. Rowling revealed that Dumbledore preferred the company of other Dumbledores.) The decision displeased original Sulu George Takei, who is gay but doesn’t think Sulu is (it’s complicated). I don’t intend to dismiss it entirely there is political content, impact, and value in retconning an element of a beloved long-running series to say, “Oh, by the way, this guy in this thing you’ve loved for 50 years? He’s gay.” (If you doubt that can have impact, recall the furor in 2007 when J.K. In 2016, that pair of glimpses-let’s be generous and call it 15 seconds of a 122-minute movie-is what passes for gay content in a mainstream Hollywood release.